It’s not a conclusion

But some point in the course of probing into the modern Chinese style underneath the contemporary Eastern design system;

The relationship between the East and Chinese style, covering and being covered. The conceptual idiosyncrasy of modern Chinese style isn’t the perceptual cognition that symbols bring us. It is extremely plain but also exceedingly incisive. It should be: the Chinese-style data of a certain arc....

    这是对于当代东方设计体系内中式细节的讨论。“东方”与“中式”存在明显的涵盖与被涵盖关系。由于符号的过于多样，“东方”概念集中体现在“意境”中。但，无论是巧合还是用心良苦，在当代设计的空间意境表达上，日本人建树丰硕到了几乎垄断的地步。于是我们被迫避免由于过度概括和抽象导致的印象上的雷同。具体地说，如果取消符号，纯粹依靠空间意境的表述，我们几乎无法判断当代“东方”风格的空间究竟是“中式”还是“日式”。